{"id":12336,"date":"2021-05-20T14:59:26","date_gmt":"2021-05-20T13:59:26","guid":{"rendered":"https:\/\/josemiguelpalacio.es\/media\/"},"modified":"2025-04-23T16:33:23","modified_gmt":"2025-04-23T15:33:23","slug":"media","status":"publish","type":"page","link":"https:\/\/josemiguelpalacio.es\/en\/media\/","title":{"rendered":"Media"},"content":{"rendered":"

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PRESS RELEASES ON THE CURRENT EXHIBITION<\/strong><\/span><\/p>\n

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<\/h3>\n

JOS\u00c9 MIGUEL PALACIO INTERVIEW ON TELEMADRID. 2014<\/span><\/p>\n

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[\/et_pb_text][et_pb_video src=”https:\/\/www.youtube.com\/watch?v=kGHPr3u3e2w” _builder_version=”4.16″ _module_preset=”default” custom_margin=”||24px|||” global_colors_info=”{}”][\/et_pb_video][et_pb_text _builder_version=”4.16″ _module_preset=”default” width=”100%” global_colors_info=”{}”]<\/p>\n

<\/h3>\n

INTERVIEW JOS\u00c9 MIGUEL PALACIO AZMedia<\/a>. 2018<\/span><\/p>\n

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REPORT \/ INTERVIEW MADRID DIRECTO. 2012
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<\/h3>\n

TELEMADRID INTERVIEW JOS\u00c9 MIGUEL PALACIO. 2012 <\/span><\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”METROPOLI. Hyperrealist fever. Jose Miguel Palacio 39 April, 2013 ” image=”https:\/\/josemiguelpalacio.es\/wp-content\/uploads\/2021\/05\/6metropoli-300×187-1.jpg” _builder_version=”4.16″ _module_preset=”default” header_text_color=”#E09900″ body_font=”||||||||” body_font_size=”15px” body_line_height=”1.8em” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n

Trains by Jos\u00e9 Miguel Palacio (detail of ‘Trenes Alstom, serie 100, en estaci\u00f3n Puerta de Atocha’), the pictorial nudes by Nadav Kander (‘Michael’) and the monumental Madrid by Paula Varona (detail of ‘Tensi\u00f3n Intangible II’). In addition to the Thyssen Museum, 3 other exhibitions play with the obsessions, intentions and themes of hyperrealism and aim to deceive the viewer: photography or painting?<\/strong><\/em><\/span><\/p>\n

[\/et_pb_blurb][et_pb_button button_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwOTMzIn19@” button_text=”READ MORE” _builder_version=”4.18.0″ _dynamic_attributes=”button_url” _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_button][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”EL PAIS. Hyperreal Madrid. Jose Miguel Palacio. April 26th, 2013″ image=”https:\/\/josemiguelpalacio.es\/wp-content\/uploads\/2021\/05\/EL-PAIS.png” image_icon_width=”67%” _builder_version=”4.16″ _module_preset=”default” header_text_color=”#E09900″ body_font=”||||||||” body_font_size=”15px” body_line_height=”1.8em” image_max_width=”67%” global_colors_info=”{}”]<\/p>\n

But, this… is it a photo or a painting? That’s the question many people probably ask themselves when they see Jos\u00e9 Miguel Palacio’s paintings. There you have them: the high-speed trains in Atocha, the cars stuck in Gran V\u00eda, the airplanes in Terminal 4, the downtown shop windows, the neon lights, the pure Madrid life captured with total accuracy in his canvases, which are exhibited in the Ansorena gallery. <\/em><\/span><\/p>\n

[\/et_pb_blurb][et_pb_button button_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwOTMzIn19@” button_text=”READ MORE” _builder_version=”4.18.0″ _dynamic_attributes=”button_url” _module_preset=”default” global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”IBERARTE. The `Altaria’ embarks on its journey. Jose Miguel Palacio. May 16th, 2011.” image=”https:\/\/josemiguelpalacio.es\/wp-content\/uploads\/2021\/05\/IBERARTE.jpg” image_icon_width=”89%” content_max_width=”691px” _builder_version=”4.16″ _module_preset=”default” header_text_color=”#E09900″ body_font=”||||||||” body_font_size=”15px” body_line_height=”1.8em” custom_margin=”||24px|||” image_max_width=”89%” global_colors_info=”{}”]<\/p>\n

The Fundaci\u00f3n de los Ferrocarriles Espa\u00f1oles and the Zaragozan artist Jos\u00e9 Miguel Palacio, signed an agreement in which Palacio, gives to the institution his work ‘Altaria entering the Puerta de Atocha Station’ for a period of five years. This work, an oil on canvas 195 x 130 cm. and presided over the exhibition “The Railway in Art, Prints and Paintings of the nineteenth to twenty-first century”, which was held in April 2008 at the Railway Museum. <\/em><\/span><\/p>\n

[\/et_pb_blurb][et_pb_button button_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwOTMzIn19@” button_text=”READ MORE” _builder_version=”4.18.0″ _dynamic_attributes=”button_url” _module_preset=”default” global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb image=”https:\/\/josemiguelpalacio.es\/wp-content\/uploads\/2021\/05\/Alumni.-Esic.png” content_max_width=”496px” _builder_version=”4.16″ _module_preset=”default” header_text_color=”#E09900″ body_font=”||||||||” body_font_size=”15px” body_line_height=”1.8em” global_colors_info=”{}”]<\/p>\n

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– You are considered a clear exponent of hyperrealism. However, how would you define his work? <\/em><\/span><\/p>\n

– Although it is obvious that my work, given its characteristics, is framed within the most scrupulous hyperrealism, I also like to define it as an urban painting committed to the present moment. I certainly do not intend to produce in the viewer only the pleasurable sensation of seeing something imitated with extreme accuracy. In my work I look for scenes that serve as a testimony of the ways of acting and developing of any society. And more concretely of the one that has touched me to live. <\/em><\/span><\/p>\n

[\/et_pb_blurb][et_pb_button button_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwOTMzIn19@” button_text=”READ MORE” _builder_version=”4.18.0″ _dynamic_attributes=”button_url” _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_button][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”CADENA SER. The hyperrealism of Jose Miguel Palacio, painting or photography? Jose Miguel Palacio. May 26th. 2009 ” image=”https:\/\/josemiguelpalacio.es\/wp-content\/uploads\/2021\/05\/cadena_ser.jpg” image_icon_width=”67%” _builder_version=”4.16″ _module_preset=”default” header_text_color=”#E09900″ body_font=”||||||||” body_font_size=”15px” body_line_height=”1.8em” image_max_width=”67%” global_colors_info=”{}”]<\/p>\n

Until August 23, the exhibition “Beyond urban reality”, by the painter Jos\u00e9 Miguel Palacio, will be on display in Room B of the Tom\u00e1s y Valiente Arts Center until August 23. An exhibition that is a challenge: to convince ourselves that we are not looking at photographs, but paintings. <\/em><\/span><\/p>\n

Oil snapshots. That’s how we could define the art of Zaragozan Jose Miguel Palacio. “Beyond urban reality” is the title of the exhibition that until August 23 fills the Centro de Artes Tom\u00e1s y Valiente in Fuenlabre\u00f1o with hyperrealism. <\/em><\/span><\/p>\n

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facebooklinkedininstagrampinterestyoutubeinstagramrssPRESS RELEASES ON THE CURRENT EXHIBITION   JOS\u00c9 MIGUEL PALACIO INTERVIEW ON TELEMADRID. 2014   INTERVIEW JOS\u00c9 MIGUEL PALACIO AZMedia. 2018   REPORT \/ INTERVIEW MADRID DIRECTO. 2012 TELEMADRID INTERVIEW JOS\u00c9 MIGUEL PALACIO. 2012  Trains by Jos\u00e9 Miguel Palacio (detail of ‘Trenes Alstom, serie 100, en estaci\u00f3n Puerta de Atocha’), the pictorial nudes by Nadav […]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-12336","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/josemiguelpalacio.es\/en\/wp-json\/wp\/v2\/pages\/12336"}],"collection":[{"href":"https:\/\/josemiguelpalacio.es\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/josemiguelpalacio.es\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/josemiguelpalacio.es\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/josemiguelpalacio.es\/en\/wp-json\/wp\/v2\/comments?post=12336"}],"version-history":[{"count":2,"href":"https:\/\/josemiguelpalacio.es\/en\/wp-json\/wp\/v2\/pages\/12336\/revisions"}],"predecessor-version":[{"id":12413,"href":"https:\/\/josemiguelpalacio.es\/en\/wp-json\/wp\/v2\/pages\/12336\/revisions\/12413"}],"wp:attachment":[{"href":"https:\/\/josemiguelpalacio.es\/en\/wp-json\/wp\/v2\/media?parent=12336"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}